Matty spoke briefly about the new album (out at the end of February), saying that he likes it, before starting a brand-new song, 'A Change Of Heart'. There's no sound more distinctive of The 1975 than the opening synth-line of 'Menswear', and the heavily instrumental first half gave time for Matty to drink some of his red wine, whilst sauntering around the stage.Īt this point in the show, 'Love Me' was the only song from their upcoming sophomore album 'I Like It When You Sleep, For You Are So Beautiful Yet So Unaware of It' that had been played. 'The City' and 'You' were up next, which highlighted the musicianship of both Ross and Adam - who in addition to playing their respective instruments, also provided back-up vocals throughout the show. 'So Far (It's Alright)' led to the first of many crowd singalongs of the night, and the early song from the 'IV' EP was celebrated as Matty threw some flowers that were sitting on Ross' keyboard into the audience. Though New Zealand had a somewhat stripped back show in terms of production, the video screen behind the band and three hanging light-boxes (à la James Turrell) gave each song an entirely unique feel - with changing colours and different backgrounds to create a mood for every song. This number also marked the first of many incredible saxophone solos by their touring saxophonist and close friend, John Waugh. “Ladies and gentlemen, welcome to the show,” Matty announced to the audience, before the intro to 'Heart Out' started.
A shout-out must also be given to Matty's amazing sparkly jacket - courtesy of Vixen Vintage Boutique on Auckland's Karangahape Road, who sold it to him earlier in the day - which sparkled as the lights bounced off it. Matty's makeup also matched that of the 'Love Me' music video, with bright blue eyeshadow and red lipstick that shone brightly during the pink lighting of the song. Opening with 'Love Me' - the song defining the new era of this band - the distinctive 80s guitar riff shook the Town Hall and started the show with a bang. The drone noises grew louder as the time drew closer to 9pm, before reaching a climax as the lights went out.Īs Adam Hann, George Daniel, Ross Macdonald, and Matty Healy casually strode on stage, the screams pierced the air, and the entire floor moved like a wave as fans tried to be as close as possible to the stage.
The lead-up to the 9pm start-time was dispersed with random screams and squeals, as the packed out audience's anticipation grew.
Instead of opting for a pre-show playlist last night, The 1975 instead introduced their new show to the sold-out Auckland Town Hall through ambient synth-drone-esque sounds that pulsated through the venue.